Thank you so much PhotoEd Magazine for featuring two of my photographs from the ๐๐ช๐ฅ๐ฅ๐ฆ๐ฏ ๐๐ฐ๐ญ๐ฐ๐ถ๐ณ ๐๐ข๐จ๐ช๐ค | ๐๐ฉ๐ฆ ๐๐ณ๐ต ๐ฐ๐ง ๐๐ฐ๐ช๐ด๐ฆ series in their Winter 2024โ25 ๐ ๐๐ข๐๐ข๐จ๐ฅ ๐๐ฆ๐ฆ๐จ๐ โ ๐๐ถ๐ด๐ถ๐๐ฎ๐น ๐๐
๐๐ฟ๐ฎ ๐๐ฑ๐ถ๐๐ถ๐ผ๐ป! Itโs such an honour being featured in this issue!
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The ๐๐ถ๐ด๐ถ๐๐ฎ๐น ๐๐
๐๐ฟ๐ฎ ๐๐ฑ๐ถ๐๐ถ๐ผ๐ป is a FREE companion to their Print edition, featuring over 50 #CanadianPhotographers portfolios! Check it out at ๐ฝ๐ต๐ผ๐๐ผ๐ฒ๐ฑ.๐ฐ๐ฎ/๐ฑ๐ถ๐ด๐ถ๐๐ฎ๐น-๐ถ๐๐๐๐ฒ.โฃ
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The two photographs featured are #3 & #4 in my series, ๐๐ช๐ฅ๐ฅ๐ฆ๐ฏ ๐๐ฐ๐ญ๐ฐ๐ถ๐ณ ๐๐ข๐จ๐ช๐ค | ๐๐ฉ๐ฆ ๐๐ณ๐ต ๐ฐ๐ง ๐๐ฐ๐ช๐ด๐ฆโฃ
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โฃ๐๐ฏ๐ผ๐๐ ๐๐ต๐ฒ ๐ฆ๐ฒ๐ฟ๐ถ๐ฒ๐: โฃ
An accidental nudge of the saturation levels revealed the most magnificent colour information hidden in my Black & White scans. โฃ
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I was intrigued by the hidden colours in my B&W files, and the unique effect revealed by the saturation slider (no other digital manipulation or adjustments). And noticed a consistent behavioural pattern of colour information across the series โ a defined centre strip, with either more pronounced or different colour, rather like an abstract painting. โฃ
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The resulting effect, with itโs abstract-like colours and increased noise levels, reminds me of frozen video frames from the 1980s and bands of that era, like Duran Duran and The Art of Noise.โฃ โฃ
